Episode 29

Not Quite What They Signed Up For

Featuring Philip Kitcher

Audio episode · 17 min

Philip Kitcher on Ulysses

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Ten at night, a maternity hospital on Holles Street, and James Joyce's Leopold Bloom walks into the same room as Stephen Dedalus. The fourteenth episode of Ulysses, Oxen of the Sun, then starts speaking Latin. Scholars adore this chapter, a parade of English prose styles since the Romans, and Philip Kitcher is frank about what it costs: most readers who get this far came for Bloom and Stephen, and he is on their side. He decodes its three opening shouts, works its first impossible sentence down into plain English, and finds Bloom at the students' table, written up by Malory as a knight, though not the usual kind.

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Read Deeper

O, I So Want to Be a Mother: The Man Who Gives Birth in Joyce and Shelley


Both novels put a man in labor. Philip Kitcher's Joyce makes him the book's tenderest wish; Charlotte Gordon's Shelley makes him its original sin.

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No Voltaire: Joyce's Priest, Voltaire's Pangloss, and Two Ways of Not Asking


Philip Kitcher calls the Jesuit who blesses a barge of turf a second Pangloss; Salman Rushdie's Voltaire fought Jesuits all his life. One drowned ship each.

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Why Is the Funeral in Ulysses So Funny? Comedy and Death in Joyce's Hades


Ulysses is funny on purpose, Kitcher argues: in Hades, comedy and death share a carriage, and laughter keeps Joyce's seriousness honest.

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The Interior Monologue: How Joyce Puts You Inside Stephen, Bloom, and Molly


The interior monologue is the engine of Ulysses, Kitcher argues: language attuned to each character, opening Stephen, Bloom, and Molly to the reader.

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The Dead and the Yes: Joyce's Two Endings in Mercy


For Banville and Kitcher, 'The Dead' and Molly's 'yes' are the same turn: Joyce ending both Dublin books in mercy, holding the living and the dead together.

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Dublin as a City of the Mind


Kitcher and Banville converge on Joyce's Dublin as a city of the mind: Banville's paralyzed Dubliners, and Kitcher's Bloom, the man who chose freedom.

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Antisemitism and Belonging in Ulysses: Whose Country Is It?


Kitcher names the antisemitism around Bloom and its engine, 'Boys' Club Morality': Dublin excludes its most decent man for the very virtues it lacks.

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