Episode 45

Many Readers Buy into Their Conjectures. I Don't.

Featuring Philip Kitcher

Audio episode · 18 min

Philip Kitcher on Ulysses

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Molly Bloom is awake, her husband is asleep beside her, and the last chapter of James Joyce's Ulysses belongs to her. Penelope has a reputation as a torrent, and Molly has one of her own, in Dublin and in a good deal of criticism. Philip Kitcher suspects both come from reading her at the speed she thinks. He shows how one unpunctuated stretch changes meaning depending on where you pause, follows her pronouns as they pass from man to man, and asks what she makes of Blazes Boylan now that he has gone. Then he comes to her other men, and to a conclusion most readers have not reached.

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Read Deeper

O, I So Want to Be a Mother: The Man Who Gives Birth in Joyce and Shelley


Both novels put a man in labor. Philip Kitcher's Joyce makes him the book's tenderest wish; Charlotte Gordon's Shelley makes him its original sin.

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No Voltaire: Joyce's Priest, Voltaire's Pangloss, and Two Ways of Not Asking


Philip Kitcher calls the Jesuit who blesses a barge of turf a second Pangloss; Salman Rushdie's Voltaire fought Jesuits all his life. One drowned ship each.

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Why Is the Funeral in Ulysses So Funny? Comedy and Death in Joyce's Hades


Ulysses is funny on purpose, Kitcher argues: in Hades, comedy and death share a carriage, and laughter keeps Joyce's seriousness honest.

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The Interior Monologue: How Joyce Puts You Inside Stephen, Bloom, and Molly


The interior monologue is the engine of Ulysses, Kitcher argues: language attuned to each character, opening Stephen, Bloom, and Molly to the reader.

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The Dead and the Yes: Joyce's Two Endings in Mercy


For Banville and Kitcher, 'The Dead' and Molly's 'yes' are the same turn: Joyce ending both Dublin books in mercy, holding the living and the dead together.

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Dublin as a City of the Mind


Kitcher and Banville converge on Joyce's Dublin as a city of the mind: Banville's paralyzed Dubliners, and Kitcher's Bloom, the man who chose freedom.

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Antisemitism and Belonging in Ulysses: Whose Country Is It?


Kitcher names the antisemitism around Bloom and its engine, 'Boys' Club Morality': Dublin excludes its most decent man for the very virtues it lacks.

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