Video 13

Be Fruitful and Multiply

Featuring Philip Kitcher

Film · Philip Kitcher on Ulysses

Members get every audio series, film and essay on Rebind

Anthony Burgess said this was the episode of Ulysses he would most like to have written, and Philip Kitcher starts there. James Joyce writes "Oxen of the Sun" as a history of the English language, from Latin and Anglo-Saxon through Malory, Everyman, Swift and Dickens, and on into a language of the future. Kitcher calls it the third place readers tend to give up, and tells you why not to: the more styles you know, the funnier it gets.

The scene is the lying-in hospital in Holles Street, where Leopold Bloom has come to ask after Mina Purefoy and ends up among carousing medical students, Stephen Dedalus among them. Every pastiche carries the same message, be fruitful and multiply, and Kitcher argues that the message is aimed at Bloom, who has fathered no child since Rudy died. He reads the Newman passage aloud, the one imitation Joyce plays straight, and shows how it lands on Bloom staring at a bottle. Then the language goes haywire and the party stumbles off toward Nighttown.

Get the rest of this essay, and the whole library.

Membership

$90 a year

The rest of this essay, every episode of Philip Kitcher on Ulysses, and every audio series, film and essay on the site.

7-day money-back guarantee. Not ready? Join free. · Already a member? Sign in.

Read Deeper

O, I So Want to Be a Mother: The Man Who Gives Birth in Joyce and Shelley


Both novels put a man in labor. Philip Kitcher's Joyce makes him the book's tenderest wish; Charlotte Gordon's Shelley makes him its original sin.

Go deeper →

No Voltaire: Joyce's Priest, Voltaire's Pangloss, and Two Ways of Not Asking


Philip Kitcher calls the Jesuit who blesses a barge of turf a second Pangloss; Salman Rushdie's Voltaire fought Jesuits all his life. One drowned ship each.

Go deeper →

Why Is the Funeral in Ulysses So Funny? Comedy and Death in Joyce's Hades


Ulysses is funny on purpose, Kitcher argues: in Hades, comedy and death share a carriage, and laughter keeps Joyce's seriousness honest.

Go deeper →

The Interior Monologue: How Joyce Puts You Inside Stephen, Bloom, and Molly


The interior monologue is the engine of Ulysses, Kitcher argues: language attuned to each character, opening Stephen, Bloom, and Molly to the reader.

Go deeper →

The Dead and the Yes: Joyce's Two Endings in Mercy


For Banville and Kitcher, 'The Dead' and Molly's 'yes' are the same turn: Joyce ending both Dublin books in mercy, holding the living and the dead together.

Go deeper →

Dublin as a City of the Mind


Kitcher and Banville converge on Joyce's Dublin as a city of the mind: Banville's paralyzed Dubliners, and Kitcher's Bloom, the man who chose freedom.

Go deeper →

Antisemitism and Belonging in Ulysses: Whose Country Is It?


Kitcher names the antisemitism around Bloom and its engine, 'Boys' Club Morality': Dublin excludes its most decent man for the very virtues it lacks.

Go deeper →

Membership

Read the greatest books
with the people who know them best.

A library like this exists only if readers decide it should: a place where the greatest books ever written are explored, argued with, and kept alive. The people who join now make it possible. Your membership funds the next books, the next guides, the next conversations.

$90 for the year.

  • Every audio series, every film, every essay, and every book we add
  • Cancel any time, with a 7-day money-back guarantee
$90 / year
  • Every episode of every audio series
  • All films and all essays
  • Each new book the day it’s published
  • Cancel any time
Become a member

Not ready? Join free for the introductions, essays and Listen In clips.